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Transcript

This Is A Disabled Woman

I’m taking off my mask to be understood

To message anyone on Instagram. Send them a reel or a post first.

The Body of this text is now complete.


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I’m going to write a hamartia of Beauty and the Beast sometime and it’s a trans woman. And Gaston is the good guy in the end. And Beast is too. And he stays a Beast. He deserves it. It’s sad and lame when he turns into a man.


I’m going to get like fifty different stories to write playing through Kingdom Hearts. I never got to be a kid. That’s what I’ve been masking. The last chapter of The Justiceers was telling me. I’m just a kid now. I got stuck. I feel better after this. I’ve unmasked. I’m still unmasking. This game is helping.

I’m going to make a video later if I get to a place where I can speak without a mask or tear explosions.

I use the word hamartia like I do because I’m taking it back. I remember researching it in 2020 when I started writing my first book by hand, in notebooks, and finished Coreward Impulses as a terrible clusterfuck by the end. It was just so knotted but of great ideas. I kept thinking of the word from my subconscious. I had read it before. I looked up how it used to be a noun for a work of fiction. It was a work of fiction elaborating on the fatal flaw, a redux. That’s what I knew I needed to do with that story someday. That’s how I look at writing anything. I base off what was there before and go off on all that feels wrong in my heart.

Coreward Impulses is a much later for Radical Pair. That’s how I knew those fuckers so well.

I’m not sure I’m sexual at all below my mask. It’s hard coming off. I’m really disabled. It’s been painful to admit to myself and I did, but I still haven’t allowed myself to show it. I’m being confusing. I was trying to prove myself competent enough in ways the world has taught me are neccessary.




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